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唐 Tang · 诗 Poem

燕子楼·满窗明月满帘霜

The Pavilion of Swallows: The Window Full of Moonlight, the Screen Full of Frost

白居易

Bai Juyi

满窗明月满帘霜,被冷灯残拂卧床。
燕子楼中霜月夜,秋来只为一人长。

The window is full of bright moonlight, the screen full of frost,
The quilt is cold, the lamp burns low; I smooth the lonely bed.
In the Pavilion of Swallows, on a night of frost and moon,
Since autumn came, it is long only for one person.
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Meaning

One of Bai Juyi's famous poems on the Pavilion of Swallows, the tower in Xuzhou where the beautiful widow Guan Panpan kept her solitary vigil after the death of her husband, the military governor Zhang Yin. On a frosty moonlit night, the window is full of moonlight and the screen of frost; the quilt is cold, the lamp burns low, and she smooths the empty bed. In the Pavilion of Swallows, on such a night, since autumn came, the night is long only for one person. The poem is the quintessence of the widow's solitude: the empty bed, the cold quilt, and the night that stretches endlessly for the one left behind.

满窗明月满帘霜,被冷灯残拂卧床。燕子楼中霜月夜,秋来只为一人长。

Appreciation

[Plain Paraphrase] The window is full of bright moon, the curtain full of frost; the quilt is cold, the lamp is faint, and I brush and smooth the bed. In the Pavilion of Swallows, on this night of frost and moon, since autumn came, it has grown long only for one person. [Structure and Thought] The quatrain moves from the room's cold brightness (moon, frost) through the gestures of the solitary widow (the smoothing of the empty bed) to the final statement of her condition: the night is long only for one person. [Key Technique] The poem's art is the compression of widowhood into a few concrete facts: the cold quilt, the failing lamp, the bed smoothed for a sleeper who will never come, and the night that is long 'only for one person' — the 'only' carrying the whole weight of her solitude. [Emotional Tone] Cold, still, and deeply mournful: the poem never names the grief, but the smoothed empty bed and the endless night say everything.

【白话串讲】 白居易写《燕子楼·满窗明月满帘霜》:“满窗明月满帘霜,被冷灯残拂卧床”——“燕子楼中霜月夜,秋来只为一人长”——他写燕子楼——秋来只为一人长。 【意象与手法】 “满窗明月满帘霜,被冷灯残拂卧床”写满窗明月满帘霜;“燕子楼中霜月夜”写燕子楼霜月夜;结以“秋来只为一人长”以秋来只为一人长写怀人。清冷深婉。 【情感与主旨】 白居易写燕子楼之作,写满窗明月满帘霜、秋来只为一人长的怀人之情,是白居易写燕子楼的名篇。 【名句点睛】 常考“满窗明月满帘霜,被冷灯残拂卧床”写清冷孤寂;“燕子楼中霜月夜,秋来只为一人长”写怀人。

Background

This poem belongs to Bai Juyi's series on the Pavilion of Swallows (Yanzi Lou), written in 821 for the story of Guan Panpan, the favorite concubine of Zhang Yin, military governor of Xuzhou, who died in 810. After Zhang's death, Guan Panpan refused to remarry and kept a lonely vigil in the pavilion for over a decade, and her story — of the woman who would not forget her dead lord — was one of the most celebrated of the age. Bai Juyi's three poems on the subject, of which this is one, fixed the story in the literary imagination; the phrase 'long only for one person' became the very type of the widow's complaint.

《燕子楼·满窗明月满帘霜》为唐代诗人白居易所作诗。白居易(772—846),字乐天,号香山居士,又号醉吟先生,祖籍太原,生于河南新郑,中唐诗人,新乐府运动倡导者。此诗写怀人,为咏燕子楼之作。诗中「满窗明月满帘霜,被冷灯残拂卧床」写满窗明月满帘霜,被冷灯残拂卧床;「燕子楼中霜月夜,秋来只为一人长」写燕子楼中霜月夜,秋来只为一人长。白居易此诗以怀人、秋来只为一人长写其怀人之情,清冷深婉,是白居易诗中的名篇。此篇《燕子楼·满窗明月满帘霜》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。此篇《燕子楼·满窗明月满帘霜》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。

Art

The poem's art is the art of the room made to speak. The first line fills the room with cold light: the window full of moon, the screen full of frost — two 'fulls' that crowd the space with brightness, yet the brightness is all cold. The second line adds the human gesture: the quilt is cold, the lamp burns low, and she smooths the lonely bed. The smoothing of the bed — the brush of a hand over the place where her lord will never lie — is the poem's masterstroke, the one act that contains the whole of her widowhood. The third and fourth lines name the place and the condition: the Pavilion of Swallows on the night of frost and moon, and the night that since autumn came has been long only for one person.

此诗艺术上以「清冷深婉、以楼写情」见长。全诗共四句两联,由满窗明月满帘霜而燕子楼中霜月夜。起「满窗明月满帘霜,被冷灯残拂卧床」写满窗明月满帘霜:满窗明月满帘霜,被冷灯残拂卧床;结「燕子楼中霜月夜,秋来只为一人长」写燕子楼中霜月夜:燕子楼中霜月夜,秋来只为一人长。全诗以楼写情,由满窗明月满帘霜而秋来只为一人长,清冷深婉,是白居易诗中的名篇。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。

Allusions

'The Pavilion of Swallows' (Yanzi Lou) is the tower in Xuzhou where Guan Panpan kept her vigil, so named for the swallows that nested there; by Bai Juyi's poem it became the very symbol of the faithful widow. 'The cold quilt and the fading lamp' are the stock furniture of the widow's chamber in Tang verse. 'The night long only for one person' — the phrase became proverbial for the widow's sleepless endurance, and the whole poem was quoted for centuries as the classic treatment of the theme.

诗中「满窗明月满帘霜被冷灯残拂卧床」「燕子楼中霜月夜秋来只为一人长」等语,皆含典故故实。「满窗明月满帘霜被冷灯残拂卧床」写满窗明月满帘霜被冷灯残拂卧床;「燕子楼中霜月夜秋来只为一人长」用燕子楼之典(燕子楼为关盼盼所居),写燕子楼中霜月夜秋来只为一人长。诗人以燕子楼之典入诗,不着痕迹,而把怀人之情写得真切可感,是善于熔铸典故的体现。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。

Commentary

This poem is the most famous of Bai Juyi's Pavilion of Swallows series and one of the best loved poems of widowhood in the language. The image of the woman smoothing the empty bed by the failing lamp has been quoted for twelve centuries as the very type of the faithful widow's solitude, and the final line — 'since autumn came, it is long only for one person' — is often ranked among the most economical statements of grief ever written.

这首《燕子楼·满窗明月满帘霜》,是白居易写怀人之作,写满窗明月满帘霜、燕子楼中霜月夜、秋来只为一人长之情,清冷深婉。起「满窗明月满帘霜,被冷灯残拂卧床」——满窗明月满帘霜,被冷灯残拂卧床。写满窗明月满帘霜:满窗明月满帘霜、被冷灯残拂卧床——满帘霜、拂卧床;结「燕子楼中霜月夜,秋来只为一人长」——燕子楼中霜月夜,秋来只为一人长。写燕子楼中霜月夜:燕子楼中霜月夜、秋来只为一人长——霜月夜、一人长。这「燕子楼中霜月夜,秋来只为一人长」,是全诗之结:以秋来只为一人长写其怀人。全诗清冷深婉,以楼写情,正是白居易诗中的名篇。综观全诗,情真、景切、理深,三者浑融无迹,故能于短短数语之中寄无限深意,令人百读不厌。其含蓄蕴藉之处,正是中国古典诗歌以少总多、言有尽而意无穷的美学精神的生动体现。综观全诗,情真、景切、理深,三者浑融无迹,故能于短短数语之中寄无限深意,令人百读不厌。其含蓄蕴藉之处,正是中国古典诗歌以少总多、言有尽而意无穷的美学精神的生动体现。

Prosody

Form Seven-character quatrain (qijue)诗(七言绝句)
Rhyme The poem rhymes on the level-tone words 'shuang' (frost), 'chuang' (bed) and 'chang' (long) in the yang rhyme group, in the standard first, second and fourth line pattern.此诗为七言绝句,共四句两联。押韵:「床」「长」押阳部韵。前两句起、后两句转合,平仄相间,正与写怀人的清冷深婉相称,也见其以七绝写怀人的凝练。
Tone pattern The first line is bright and cold with the two 'fulls'; the second slows into the gesture of smoothing the bed; the third names the place and the night; the fourth stretches into the long, open 'chang' (long) — the cadence itself becomes the endless night.句式上,「满窗明月满帘霜,被冷灯残拂卧床」写满窗明月满帘霜,音节清冷;结「燕子楼中霜月夜,秋来只为一人长」写燕子楼中霜月夜,音节悠长。全诗音节随情起伏,由清冷而悠长,正合七绝「凝练」之妙,读来如怀人、秋来只为一人长之音,清冷而动人。
Reading note This is a seven-character quatrain by Bai Juyi, written on the story of the Pavilion of Swallows — the widow Zhang Jianfeng's vigil for her dead husband. The window full of moonlight, the screen full of frost, the cold quilt and the failing lamp set the night; the close states the poem's whole meaning: since autumn came, the nights are long only for the one person. The quatrain's power is the plainness of that final statement.此诗为七言绝句,是白居易写怀人之作,也是其诗中的名篇。全诗的艺术特色在于「清冷深婉、以楼写情」:「满窗明月满帘霜,被冷灯残拂卧床」写满窗明月满帘霜、「燕子楼中霜月夜,秋来只为一人长」写燕子楼中霜月夜。全诗清冷深婉,以楼写情。尤为精妙者,是「满窗明月满帘霜」写尽满帘霜;而「秋来只为一人长」用燕子楼之典,正是白居易诗「清冷深婉」的典范,为历代选本所常收。《燕子楼·满窗明月满帘霜》一诗之所以读来声情并茂,正在于诗人以声韵配合情思、以节奏烘托意境,音节之长短、平仄之起伏,皆与诗意相为表里,此亦可见中国古典诗歌声律之美与匠心之工。

Line by line

满窗明月满帘霜,被冷灯残拂卧床。

The window is full of bright moonlight, the screen full of frost; the quilt is cold, the lamp burns low; I smooth the lonely bed.

满窗明月满帘霜,被冷灯残拂卧床。

Bright moon fills the window, frost fills the curtain; the quilt is cold, the lamp burns low, I brush aside the bed and lie down.

起句写满窗明月满帘霜,起笔即见其明月。「满窗明月满帘霜」写满窗明月满帘霜,「满窗明月」写满窗明月、「满帘霜」写满帘霜;「被冷灯残拂卧床」写被冷灯残拂卧床,「被冷灯残」写被冷灯残、「拂卧床」写拂卧床。一句写满窗明月满帘霜被冷灯残拂卧床,以满窗明月满帘霜写满帘霜、以被冷灯残拂卧床写拂卧床,写尽满窗明月满帘霜、被冷灯残拂卧床之情。以月起兴,清冷而深婉,是「以月起兴」的妙笔。

The opening line writes bright moon fills the window, frost fills the curtain, the moon named at the first stroke. Bright moon fills the window, frost fills the curtain: moonlight at the window, frost on the curtain. The quilt is cold, the lamp burns low, I brush aside the bed and lie down: cold quilt, fading lamp, turning to the pillow. One line writes moon and frost at window and curtain, then the cold quilt and low lamp - Bai Juyi's starting point for the Swallow Tower: the bright moon and the frost both fill the night, the sleeper brushes the cold bed. The line opens with the moon as bi-xing, cold and deep: the bright moon fills the window, yet the warmth is gone.

燕子楼中霜月夜,

In the Pavilion of Swallows, on a night of frost and moon,

燕子楼中霜月夜,

In the Swallow Tower, on this moon-frosted night,

此句写燕子楼中霜月夜,是全诗写燕子楼之态的关键。「燕子楼中」用燕子楼之典写燕子楼中,「燕子楼」写燕子楼、「中」写中;「霜月夜」写霜月夜,「霜月」写霜月、「夜」写夜。一句写燕子楼中霜月夜,以燕子楼中写楼中、以霜月夜写霜月夜,写尽燕子楼中霜月夜之情。以楼写情,清冷而深婉,是「以楼写情」的点睛之笔。此句以寥寥数语写尽深意,情韵兼胜,正是全诗点睛之笔。其于字句之间暗藏波澜,于平易之中寄寓曲折,尤当反复涵泳,方能得其三昧。

This line writes in the Swallow Tower, on this moon-frosted night, the key to the tower's state. In the Swallow Tower uses the Swallow Tower allusion: the tower itself. Moon-frosted night: the moon and frost of that night. One line writes the tower and its moon-frosted night - Bai Juyi's middle turn: named is the tower where Guan Panpan lingered, the night of moon and frost. The line uses the tower for feeling, cold and deep: the famous tower becomes the place of a long autumn for one.

秋来只为一人长。

Since autumn came, it is long only for one person.

秋来只为一人长。

autumn comes, and for one person alone it lengthens.

结句写秋来只为一人长,是全诗立意的落点。「秋来只为」写秋来只为,「秋来」写秋来、「只为」写只为;「一人长」写一人长,「一人」写一人、「长」写长。一句写秋来只为一人长,以秋来只为写只为、以一人长写一人长,写尽秋来只为一人长之情。以人写情,清冷而深婉,是全诗最动人处,也是「以人写情」的点睛之笔。此句以寥寥数语写尽深意,情韵兼胜,正是全诗点睛之笔。其于字句之间暗藏波澜,于平易之中寄寓曲折,尤当反复涵泳,方能得其三昧。

The closing line writes autumn comes, and for one person alone it lengthens, the poem's landing. Autumn comes: the autumn's arrival. For one person alone it lengthens: the night long for her alone. One line writes the autumn's coming, and the night's length for a single person - the poem's resolution: the same autumn night that is short for the world stretches endlessly for her. The line uses a person for feeling, cold and deep, the poem's most moving point: all autumn nights are long, yet only one woman feels them so.

Study

Word focus

满帘霜 'The screen full of frost' — the frost filling the curtain, the cold companion of the moonlight. 「满帘霜」写满窗明月满帘霜,是写满帘霜之态的关键。「满窗明月满帘霜」着一「满帘霜」,写满帘霜——着一「满帘霜」,写满窗明月满帘霜,见其霜之满帘。三字写尽满帘霜之态,是「以词写霜」的妙笔。「满帘霜」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。
灯残 'The lamp burns low' — the failing lamp of the lonely night, the setting of the vigil. 「灯残」写被冷灯残拂卧床,是写灯残之态的关键。「被冷灯残拂卧床」着一「灯残」,写灯残——着一「灯残」,写被冷灯残拂卧床,见其残之灯。两字写尽灯残之态,是「以词写灯」的点睛之词。「灯残」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。
燕子楼 'The Pavilion of Swallows' — the pavilion of the widow's vigil, the poem's named place. 「燕子楼」写燕子楼中霜月夜,是写燕子楼之态的关键。「燕子楼中霜月夜」着一「燕子楼」,写燕子楼——着一「燕子楼」,写燕子楼中霜月夜,见其楼之燕子。三字写尽燕子楼之态,是「以词写楼」的点睛之词。「燕子楼」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。
一人 'One person' — the single mourner for whom the nights are long, the poem's whole statement. 「一人」写秋来只为一人长,是写一人之态的关键。「秋来只为一人长」着一「一人」,写一人——着一「一人」,写秋来只为一人长,见其人之一。两字写尽一人之态,是「以词写人」的点睛之词。「一人」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。

Related Reading

水调歌头·明月几时有 Prelude to Water Melody: When Did the Bright Moon Begin? 苏轼 · 同写怀人感怀、清冷旷达,一写但愿人长久、一写燕子楼中霜月夜秋来只为一人长,皆于怀人之中见清冷 Both are the moonlit nights of the separated — Su Shi's philosophical moon, Bai Juyi's lonely bed of the widow.

Su Shi's 'Prelude to Water Melody' faces the moon with the consolation of the turning world; Bai Juyi's 'Pavilion of Swallows' faces the same moon from the widow's bed — the nights long only for the one who mourns. The two are the philosophical and the desolate answers to the same light.

苏轼《水调歌头·明月几时有》「但愿人长久,千里共婵娟」,写怀人感怀、清冷旷达,是宋词长调的名篇;白居易《燕子楼》则以「燕子楼中霜月夜,秋来只为一人长」「满窗明月满帘霜」写霜月夜、满帘霜。两诗同写怀人感怀、清冷旷达:一写但愿人长久、以千里共婵娟写思亲,一写燕子楼中霜月夜秋来只为一人长、以燕子楼写怀人;一为苏轼之旷达、一为白居易之清冷,并读正可见诗写「怀人感怀」的两种笔法,皆于怀人之中见清冷。

八声甘州·对潇潇暮雨洒江天 Eight Beats of Ganzhou: Facing the Evening Rain That Spatters the Long River 柳永 · 同写楼中凝望、清冷清丽,一写对潇潇暮雨洒江天、一写满窗明月满帘霜被冷灯残拂卧床,皆于楼中之中见凝望 Both are the nights of the watching alone — Liu Yong's rail and wilting flowers, Bai Juyi's cold quilt and low lamp.

Liu Yong's 'Eight Beats of Ganzhou' watches the evening alone from the tower; Bai Juyi's poem watches the frosty night alone from the bed — the two vigils of the separated, one from the height, one from the bed.

柳永《八声甘州·对潇潇暮雨洒江天》「对潇潇暮雨洒江天,一番洗清秋」,写楼中凝望、清冷清丽,是宋词写羁旅的名篇;白居易《燕子楼》则以「满窗明月满帘霜,被冷灯残拂卧床」「秋来只为一人长」写满帘霜、一人长。两诗同写楼中凝望、清冷清丽:一写对潇潇暮雨洒江天、以暮雨写清秋,一写满窗明月满帘霜被冷灯残拂卧床、以霜月写怀人;一为柳永之清丽、一为白居易之清冷,并读正可见诗写「楼中凝望」的两种笔法,皆于楼中之中见凝望。