唐 Tang · 诗 Poem
浪淘沙·其八
Waves of the River · Eighth
莫道谗言如浪深,莫言迁客似沙沉。
千淘万漉虽辛苦,吹尽狂沙始到金。
Say not the banished man sinks like sand in the grave.
Through a thousand washings and ten thousand strainings, though bitter the toil,
Blow away the wild sand and at last you reach the gold.
Meaning
Do not say that slander and calumny are as fathomless as the muddy waves; do not say that the banished man is buried and forgotten like sinking sand. Though a thousand washings and ten thousand strainings are bitter hard, yet once the wild sand is blown away and the dross gone, in the end you sift out the true gold.
不要说谗言诋毁如同浊浪般深不可测,也不要说被贬谪的人就像沉沙一样埋没无闻。千遍万遍的淘洗过滤虽然十分辛苦,但吹尽狂沙、去尽杂质之后,终究会淘到真金。
Appreciation
This poem by Liu Yuxi of the Tang uses 'wave', 'sand', and 'gold' as its core images, building a contrast of clear and foul, true and false, floating and sinking. The first two lines use the double negation 'say not... say not' to break the worldly prejudice first, in a cutting tone; the last two write the hardship of 'a thousand washings and ten thousand strainings' and the belief found in 'at last you reach the gold'. The metaphor is plain yet the meaning deep; the folk-song manner blends with reasoned thought, showing strength within the simple—fully the mark of Liu Yuxi's poetry, 'weighty and free, feeling flung far'.
【白话串讲】 “莫道谗言如浪深,莫言迁客似沙沉”——刘禹锡说:别说谗言像浪深,别说迁客像沙沉。“千淘万漉虽辛苦,吹尽狂沙始到金”——千淘万漉虽辛苦,吹尽狂沙才见真金。这是他的自勉,也是给所有被贬之人的话。 【意象与手法】 全诗以“浪”“沙”“金”为核心意象,构成清浊、真伪、浮沉的对照 【情感与主旨】 刘禹锡因参与“永贞革新”失败,于永贞元年(805)被贬为朗州司马,此后辗转连、夔、和诸州,前后贬谪二十三年 【名句点睛】 中高考多从“哲理诗”与“托物言志”角度命题。常考
Background
Liu Yuxi was banished as a result of the failed Yongzhen Reform; in the first year of Yongzhen (805) he was made Marshal of Langzhou, then moved through Lian, Kui, and He, banished for three-and-twenty years in all. This is the eighth of his nine 'Waves of the River' poems. The set takes rise from the washing of sand on the Yellow River and the Luo, often bearing the feeling of his own fate and political meaning. Ever slandered and long exiled, the poet would not sink with the tide; he borrows the parable of washing for gold to declare that, though he has endured trials, his steadfast will is unchanged, and also darkly satirizes that the muddy current at court will in the end be cleared.
《浪淘沙·其八》为中唐诗人刘禹锡所作。刘禹锡(772—842),字梦得,洛阳人,中唐诗人,有“诗豪”之称。此诗写谗言与迁谪之慨:莫说谗言如浪之深,莫言迁客似沙之沉;千淘万漉虽辛苦,吹尽狂沙始到金。全诗以淘金喻人生,写谗言虽多而真相终现,迁谪虽苦而志节终存,是刘禹锡贬谪诗中的名篇。刘禹锡因参与永贞革新而被贬,屡遭谗言,然其志不衰,此诗正是其“诗豪”精神的写照——以淘金之喻写清白终见,乐观而坚定。
Art
The whole poem uses 'wave', 'sand', and 'gold' as its core images, building a contrast of clear and foul, true and false, floating and sinking. The first two lines use the double negation 'say not... say not' to break the worldly prejudice first, in a cutting tone; the last two write the hardship of 'a thousand washings and ten thousand strainings' and close on 'at last you reach the gold', showing belief within suffering. The metaphor is common yet the reasoning deep; the folk-song manner blends with thought, showing bone within the plain—fully the mark of Liu Yuxi's 'weighty and free, feeling flung far'.
《浪淘沙·其八》艺术上以比喻的贴切与志节的坚定见长。全诗四句,层层写来:“莫道谗言如浪深,莫言迁客似沙沉”以浪、沙喻谗言与迁客——莫说谗言如浪之深,莫言迁客似沙之沉,两个“莫”字写其不畏;“千淘万漉虽辛苦,吹尽狂沙始到金”以淘金喻真理终现——千淘万漉虽辛苦,吹尽狂沙始见真金。全诗以淘金之喻写谗言之不足畏:谗言如浪,终有平息之时;迁客如沙,终有澄清之日;千淘万漉,狂沙吹尽,真金自现。比喻贴切而志节坚定,正是刘禹锡“诗豪”的风格——以乐观之笔写贬谪之慨。
Allusions
'The banished man' inherits the tradition of Qu Yuan and Jia Yi—officials punished and sent far away—not a single story. 'Slander like a wave' and 'the banished man like sand' are the poet's images from the scene, not allusions proper. 'Washing sand to find gold' takes the folk custom of gold-washing as a parable, yet quietly fits the Shi Jing tradition of comparing virtue to gold and tin, using everyday experience to speak of the gentleman's unshaken constancy—'borrowing the thing to show the principle' rather than citing a classical tale.
《浪淘沙·其八》用典在“淘金”与“狂沙”。“淘金”为古代采金之法,以水淘沙取金,比喻筛选真伪;“狂沙”指沙尘,与“金”相对,写泥沙俱下之时;“千淘万漉”写淘金之反复,亦写人生之磨炼。全诗以淘金之喻写清白终见,不用深典而道理自明。刘禹锡以“诗豪”著称,其贬谪诗多乐观旷达,此诗正是其代表——以淘金喻人生,写谗言不足畏、真金终自现,正是“吹尽狂沙始到金”的坚定信念。
Commentary
Later critics often praise Liu Yuxi's poetry as 'strong in bone, feeling flung far'. This piece, using washing sand to find gold as a parable, holds deep feeling within plain words, and with 'A Reply to Bai Juyi at a Banquet in Yangzhou' ('a thousand sails pass by the side of the sunk boat') shows the same open spirit amid adversity. Critics hold that though banished, his bone stood proud and he did not follow the crowd—most representing Liu's 'weighty and free' character.
《浪淘沙·其八》是刘禹锡贬谪诗的名篇,也是《浪淘沙》九首中的代表作。此诗以淘金喻人生,乐观而坚定,向为论者称道。论者多赏其“吹尽狂沙始到金”的比喻——以淘金写清白终见,遂成千古名句,为后人所引用;“莫道谗言如浪深,莫言迁客似沙沉”两个“莫”字,更见其不畏谗言的坚定。刘禹锡一生屡遭贬谪而不改其志,其诗以“诗豪”著称,此诗正是其精神的写照。此诗与《酬乐天扬州初逢席上见赠》的“沉舟侧畔千帆过”同写贬谪之慨,而一以金喻、一以舟喻,皆见其乐观旷达。
Prosody
Line by line
莫道谗言如浪深,莫言迁客似沙沉。
Say not that slander is deep as the waves; say not that the exiled man sinks like sand.
莫说谗言如浪涛般深险,莫说迁谪之客如泥沙般沉没。
Say not that slander runs deep like the waves; say not that the exiled man sinks like sand.
首二句以浪、沙设喻,写对谗言与迁谪的不畏。“莫道谗言如浪深”写谗言之险——“莫道”即不要说,谗言如浪之深,本写其险恶,而“莫道”二字,写其不以为意;“莫言迁客似沙沉”写迁谪之悲——“莫言”即不要说,迁客如沙之沉,本写其沉沦,而“莫言”二字,写其不甘沉没。二句以“莫道”“莫言”两个否定领起,写诗人对谗言与迁谪的态度:纵使谗言如浪、迁客如沙,亦不足畏、不足悲。这一起笔,见出刘禹锡“诗豪”的不屈气概——不以谗言为惧,不以迁谪为悲,为后文的淘金之喻张本。
The first two lines take wave and sand as metaphor, writing the fearlessness before slander and exile. 'Say not that slander is deep as the waves' — 'say not' means do not say; slander deep as waves, properly writing its danger, yet 'say not' writes his unconcern; 'say not that the exiled man sinks like sand' — the grief of exile, the exiled man sinking like sand, properly writing his downfall, yet 'say not' writes his refusal to sink. The two lines are led by the two negations 'say not' and 'say not', writing the poet's stance: though slander be waves and the exiled man be sand, neither is to be feared nor grieved. This opening shows Liu Yuxi's 'poet-hero's' unyielding spirit — not fearing slander, not grieving exile, preparing the gold-washing metaphor below.
千淘万漉虽辛苦,吹尽狂沙始到金。
A thousand washings, ten thousand siftings, hard though it be — blow away the wild sand, and at last the gold appears.
千淘万漉虽然辛苦,但吹尽狂沙之后,才能见到真金。
A thousand washings and ten thousand siftings, bitter though they be — once the wild sand is blown away, the true gold shows.
后二句以淘金喻人生,写清白终见。“千淘万漉虽辛苦”写淘金之劳——千淘万漉,反复淘洗,虽辛苦而不止;“吹尽狂沙始到金”写真金终现——狂沙吹尽,真金自现。二句以淘金之喻写谗言与清白:谗言如狂沙,清白如真金;千淘万漉的辛苦,正是人生磨炼的过程;吹尽狂沙的耐心,正是清白终见的信念。以“千淘万漉”写其不辞辛苦,以“吹尽狂沙”写其终见真金,乐观而坚定。这一收束,正是刘禹锡贬谪诗的精神所在——不以谗言为意,不因迁谪而屈,坚信清白终将大白于天下。以“始到金”作结,言简而意深,遂成千古名句。
The last two lines take gold-washing as the metaphor for life, writing that innocence will at last be seen. 'A thousand washings, ten thousand siftings, hard though it be' — the labor of gold-washing, a thousand washings, ten thousand siftings, hard yet unceasing; 'blow away the wild sand, and at last the gold appears' — the wild sand blown away, the true gold showing itself. The two lines use gold-washing for slander and innocence: slander is the wild sand, innocence the true gold; the hard labor of a thousand washings is the process of life's tempering; the patience of blowing away the sand is the faith that innocence will be seen. 'A thousand washings, ten thousand siftings' the unsparing labor, 'blow away the wild sand' the final revealing of gold, optimistic and firm. This close is the spirit of Liu Yuxi's exile poems — unmindful of slander, unbowed by exile, firmly believing innocence will at last be cleared to the world. Closing on 'at last the gold appears', brief in words, deep in meaning, it became a famous line.
Study
Word focus
Related Reading
Compare this related work with the poem above through theme, imagery, tone, and emotional movement.
刘禹锡《酬乐天扬州初逢席上见赠》“沉舟侧畔千帆过,病树前头万木春”写贬谪后的新生之望,与本首同为贬谪诗。差异在取喻:其八以淘金写清白终见,是“金”之喻;酬乐天以沉舟病树写生机日新,是“舟木”之喻。一写“真”终现,一写“新”自生。两诗并读,可见刘禹锡贬谪诗乐观旷达的两种表达,皆以“诗豪”之笔写不屈之志。
行路难·其一 The Hard Road (Part One) 李白 · 同为写人生困境之诗,一写淘金之信一写破浪之志,皆豪迈 Related readingCompare this related work with the poem above through theme, imagery, tone, and emotional movement.
李白《行路难·其一》“长风破浪会有时,直挂云帆济沧海”写困境中的豪情,与刘禹锡《浪淘沙·其八》同为写人生困境之诗。差异在风格:刘诗以淘金写清白终见,坚定而沉着;李诗以破浪写壮志必酬,豪放而飞扬。一写“真”终现,一写“志”必酬。两诗并读,可见唐代诗人写困境的两种豪迈——沉着与飞扬,皆以乐观之笔写不屈之志。
浪淘沙·其一 Waves of the River · First 刘禹锡 · 同为《浪淘沙》写江海,一写清白终见一写淘沙之景,皆以水为喻 Same (same author, same set)From the same set; the first writes the grand sight of 'the winding Yellow River, ten thousand li of sand', this one writes the principle of washing sand to find gold—read together to see his constant habit of using sand-washing to bear feeling.
刘禹锡《浪淘沙·其一》“九曲黄河万里沙,浪淘风簸自天涯”写黄河淘沙之景,与本首同为《浪淘沙》之作。差异在旨归:其八以淘金写清白终见,是哲理之咏;其一以黄河写万里之沙,是景物之咏。一写“理”之信,一写“景”之阔。两诗并读,可见刘禹锡《浪淘沙》写水沙的两种笔法。