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唐 Tang · 诗 Poem

江楼感旧

Reflections on the Past at the Riverside Tower

赵嘏

Zhao Gu

怀旧nostalgia 月夜moonlit night 孤寂loneliness

独上江楼思渺然,月光如水水如天。
同来望月人何处?
风景依稀似去年。

Alone I mount the riverside tower, my thoughts vast and far; moonlight is like water, and water like the sky.
Where is the one who came with me to watch the moon? The scene is faintly like last year.
Listen

Meaning

The poem recalls a moonlit night when the poet climbed a riverside tower alone, remembering the companion who watched the moon with him a year before. The unchanged scenery against the changed company conveys a quiet, lingering loneliness.

独自登上江边小楼,思绪渺远;月光如水,水色如天。当年同来望月的人如今在哪里?眼前的风景依稀还像去年一般。

Appreciation

The first two lines write the empty, far-reaching scene of climbing the tower alone, with moonlight, water, and sky fused into one clear expanse that sets off the vast and far thought. The last two lines point to the changed reality of where is the one who watched the moon, closing with the scene is faintly like last year, dissolving loneliness and longing into the unchanging moon and wind. The phrase moonlight like water, water like the sky uses linked comparison to paint a clear, distant realm. The contrast of then and now opens time and space. Clear and reserved, its aftertaste is long.

【白话串讲】 “独上江楼思渺然,月光如水水如天”——赵嘏独自上江楼:月光如水,水如天。“同来望月人何处?风景依稀似去年”——去年一起望月的人,如今在哪里?他写物是人非。 【意象与手法】 “月光如水水如天”以连环比喻写空明之境,澄澈中见渺远;今昔对照(人何处/似去年)拓开时空。 【情感与主旨】 写对旧游伴侣的深长思念与物是人非的怅惘,清空含蓄,余韵悠长。 【名句点睛】 “月光如水水如天”“风景依稀似去年”——以不变之景衬已变之人,孤寂怀旧,淡语动人。

Background

Zhao Gu was a Late-Tang poet; this poem was likely written on an autumn night when he climbed a riverside tower alone, recalling the companion of the previous year's outing.

《江楼感旧》为唐代赵嘏所作,是写独上江楼、望月怀人、感旧伤逝之情的诗。赵嘏(约806—约852),字承佑,楚州山阳人,唐代诗人。此诗:独上江楼思渺然,月光如水水如天。同来望月人何处?风景依稀似去年。全诗写独上江楼、望月怀人、感旧伤逝之情,是赵嘏诗的名篇。

Art

A seven-character quatrain, first scene then feeling; water like the sky is a linked comparison of clarity, and like last year contrasts then and now, reserved without end.

《江楼感旧》艺术上以独上江楼的描摹与感旧伤逝之情的深婉见长。全诗四句:首写独上江楼——“独上江楼思渺然,月光如水水如天”写独上江楼思渺然、月光如水水如天;末写望月怀人——“同来望月人何处?风景依稀似去年”写同来望月人何处、风景依稀似去年。全诗以独上江楼写感旧伤逝之情,正是赵嘏诗深婉的笔法。

Allusions

The moon-watcher refers to the companion of the previous year's outing; faintly (yi xi) means as if, vaguely similar.

《江楼感旧》用典在“月光如水水如天”“同来望月人何处”。“月光如水水如天”写月光如水、水天一色;“同来望月人何处”写同来望月之人何处。全诗以这些意象写独上江楼、感旧伤逝之情,用典自然而深婉自见,正是赵嘏诗的笔法。

Commentary

The Tang Poetry Appreciation Dictionary says clear as speech, yet with a leisurely charm — an upper-grade Late-Tang quatrain. The Shi Jing Qian Shuo says only twenty-eight characters, yet the feeling of then-and-now and the depth of longing are both fulfilled.

《江楼感旧》是赵嘏诗的名篇,也是唐代感旧诗中写怀人伤逝的代表作。此诗写独上江楼、望月怀人、感旧伤逝之情,向为论者称道。论者多赏其独上江楼的描摹与感旧伤逝之情的深婉——“独上江楼思渺然,月光如水水如天”写独上江楼思渺然、月光如水水如天,深婉之极;“同来望月人何处?风景依稀似去年”写同来望月人何处、风景依稀似去年,更见其怅。赵嘏诗以工于七绝著称,此诗正是其代表——以独上江楼写感旧伤逝之情,正是其诗风。

Prosody

Form Seven-character quatrain七言绝句
Rhyme Rhymes with ran, tian, nian (lower-level first xian group of the Pingshui scheme), one rhyme throughout.《江楼感旧》为七言绝句,四句,押平声韵。此诗用韵:天、年(先部),一韵到底,音节深婉。
Tone pattern Level-tone opening with the first line taking a rhyme; the tone is clear and soft, fitting for secluded reflection.七言绝句以音节深婉、情致怅惘见长。此诗写独上江楼、望月怀人、感旧伤逝之情,音节深婉而怅惘。全诗以七言贯底,声调与感旧伤逝的内容相合,是赵嘏诗中深婉的一路。
Reading note A clear-school Late-Tang seven-character quatrain; a representative work of Zhao Gu.《江楼感旧》为唐代赵嘏所作,是写独上江楼、望月怀人、感旧伤逝之情的诗。此诗以“独上江楼思渺然,月光如水水如天”写江楼夜景,以“同来望月人何处?风景依稀似去年”写感旧伤逝之情。写独上江楼、感旧伤逝,正是赵嘏诗的名篇。

Line by line

独上江楼思渺然,月光如水水如天。

Alone I mount the riverside tower, my thoughts vast and far; moonlight is like water, and water like the sky.

独上江楼思渺然,月光如水水如天。

Alone I climb the riverside tower, my thoughts far and vague; moonlight like water, water like sky.

首写独上江楼思渺然、月光如水水如天,是全诗写江楼之景的起点。“独上江楼思渺然”写独上江楼思渺然——“独上江楼思渺然”写独自登上江楼思绪渺茫——独上江楼思渺然;“月光如水水如天”写月光如水水如天——“月光如水水如天”写月光如水、水色如天——月光如水水如天。二句写独上江楼思渺然、月光如水水如天:独上江楼思渺然,月光如水水如天。以“独上江楼思渺然”写独上江楼、思绪渺然,以“月光如水水如天”写月光如水、水天一色,正是赵嘏诗写江楼之景的起点——独上江楼,月色水天。

The first two lines write the tower scene, the start. 'Alone I climb the riverside tower, my thoughts far and vague' — alone climbing, thoughts drifting; 'moonlight like water, water like sky' — moonlight like water, the waters blending with the sky. It is the start of Zhao Gu's riverside-tower scene: alone on the tower, moonlight and waters one.

同来望月人何处?风景依稀似去年。

Where is the one who came with me to watch the moon? The scene is faintly like last year.

同来望月人何处?风景依稀似去年。

Where is the man who came with me to watch the moon? The scene is dimly as it was last year.

末写同来望月人何处、风景依稀似去年,是全诗写感旧伤逝之情的归结。“同来望月人何处”写同来望月人何处——“同来望月人何处”写当年同来望月之人如今何在——同来望月人何处;“风景依稀似去年”写风景依稀似去年——“风景依稀似去年”写风景依稀仿佛去年——风景依稀似去年。二句写同来望月人何处、风景依稀似去年:同来望月人何处?风景依稀似去年。以“同来望月人何处”写同来望月之人、今在何方,以“风景依稀似去年”写风景依稀、如昨之叹,正是赵嘏诗写感旧伤逝之情的归结——望月人何处,风景似去年。

The last two lines write the grief of recalling the past, the close. 'Where is the man who came with me to watch the moon?' — he who watched the moon with me, where is he now; 'the scene is dimly as it was last year' — the view faintly as last year. It is the close: the moon-watcher gone, the view still as last year.

Study

Word focus

渺然 Miao ran (vast and far) writes the far-reaching, unsettled quality of thought, growing with the clear moonlight and water, setting the vast, distant tone of nostalgia. “独上江楼思渺然”之“渺然”,写渺茫,是全诗写独上江楼思绪的关键词。“渺然”写渺茫无际——独自登上江楼思绪渺茫。这一词写思之茫:不是清楚之思,而渺然;不是可状之情,而怅望无际。以“独上江楼思渺然”写独上江楼、思绪渺然,正是赵嘏诗写江楼之景的起点。
月光如水水如天 A key expression in the poem. Read it as an image, mood, or grammar point in context. “月光如水水如天”之“月光如水水如天”,写月光如水、水色如天,是全诗写江楼夜景的归结句。“月光如水”写月光如水流,“水如天”写水色如天——月光如水、水色如天。这一词写景之澄:不是他时之月,而月光如水水如天;不是可状之色,而水天一色。以“独上江楼思渺然,月光如水水如天”写月光水天、浑然一色,正是赵嘏诗写江楼夜景的笔法。
同来望月人 A key expression in the poem. Read it as an image, mood, or grammar point in context. “同来望月人何处”之“同来望月人”,写当年同来望月之人,是全诗写怀人之情的归结词。“同来”写同来,“望月人”写望月之人——当年同来望月之人。这一词写人之念:不是独往之人,而同来望月人;不是可略之侣,而旧日同游。以“同来望月人何处”写同来之人不知何处,正是赵嘏诗写感旧伤逝之情的归结。
依稀 Yi xi (faintly) — as if like last year, writing the scene's likeness while the person is already gone; one word hides the whole sigh of things the same, man changed. “风景依稀似去年”之“依稀”,写仿佛,是全诗写景物似旧的关键词。“依稀”写仿佛隐约——风景仿佛去年。这一词写景之似:不是全同之景,而依稀;不是可状之旧,而仿佛如昨。以“风景依稀似去年”写风景依稀、如去年之叹,正是赵嘏诗写感旧伤逝之情的归结。

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