唐 Tang · 诗 Poem
出塞作
On the Frontier: The Hunt
居延城外猎天骄,白草连天野火烧。
暮云空碛时驱马,秋日平原好射雕。
护羌校尉朝乘障,破虏将军夜渡辽。
玉靶角弓珠勒马,汉家将赐霍嫖姚。
White grass runs to the horizon, where the grass-fire burns.
At dusk, in the empty desert, he drives his horses forth;
In the autumn plain, the day is made for killing falcons.
The Protector of the Qiang rides the wall at dawn;
The general who breaks the enemy wades the Liao by night.
A bow of jade-hilt, a horse with pearl-adorned rein —
The Han will give it to Huo Qubing.
Meaning
Wang Wei, on an official mission to the frontier, describes a day of hunting beyond Juyan and then turns from the spectacle to the machinery of defense and reward. The hunting is wild and endless; the officers man the walls by day and cross the Liao by night; and finally the poet speaks of a trophy — bow and horse — destined for a Han commander. The poem praises the frontier's martial energy and quietly registers the distance between that energy and its results.
居延城外猎天骄,白草连天野火烧。 暮云空碛时驱马,秋日平原好射雕。 护羌校尉朝乘障,破虏将军夜渡辽。 玉靶角弓珠勒马,汉家将赐霍嫖姚。
Appreciation
[Plain Paraphrase] The poem moves from the hunt outside Juyan to the soldiers who guard the frontier, and closes on the gifts the state hands to its commander. [Structure] The first quatrain is the hunt, the second the garrison; the last couplet is the poet's own voice, and it is the only line that mentions the Han explicitly. [Imagery] The dominant figure is fire and speed: the grass-fire, the driving of horses, the killing of falcons. White grass burning to the horizon makes the desert look, for an instant, like a battlefield. [Tone] The celebration is genuine but never wholly comfortable, because the poem's own vocabulary of horses and bows already implies what they are for. [Turn] The final couplet withdraws from the hunt into the machinery of reward, and the whole poem is reframed as an account of an institution rather than as an adventure.
【白话串讲】 王维写《出塞作》:“居延城外猎天骄,白草连天野火烧”——“暮云空碛时驱马,秋日平原好射雕”——“护羌校尉朝乘障,破虏将军夜渡辽”——“玉靶角弓珠勒马,汉家将赐霍嫖姚”——他写出塞打猎与边功。 【意象与手法】 此诗写边塞,以报国写边塞,是王维的名篇。前四句写边景:「居延城外猎天骄,白草连天野火烧。暮云空碛时驱马,秋日平原好射雕」写居延城外猎天骄、白草连天野火烧——写尽边塞的野火;后四句写报国:「护羌校尉朝乘障,破虏将军夜渡辽。玉靶角弓珠勒马,汉家将赐霍嫖姚」写护羌校尉朝乘障、破虏将军夜渡辽——写尽汉家的军威。全诗以报国写边塞,写尽边塞的野火与汉家的军威,是王维的代表作。 【情感与主旨】 此诗写边塞,以报国写边塞,是王维的名篇。此诗为王维奉使出塞途中所作,写边塞风光与汉家军威,寄寓其报国之志。开元年间,王维出使河西边塞,居延(今内蒙古额济纳旗)一带唐军与吐蕃对峙,此诗写边塞秋日狩猎之景与汉家将士之雄。此诗写居延城外猎天骄,白草连天野火烧;暮云空碛时驱马,秋日平原好射雕;护羌校尉朝乘障,破虏将军夜渡辽;玉靶角弓珠勒马,汉家将赐霍嫖姚。此诗写边景:居延城外猎天骄,白草连天野火烧——写居延城外猎天骄、白草连天野火烧,写尽边塞的野火;暮云空碛时驱马,秋日平原好射雕——写暮云空碛时驱马、秋日平原好射雕,写尽秋日的射雕;护羌校尉朝乘障,破虏将军夜渡辽——写护羌校尉朝乘障、破虏将军夜渡辽,写尽汉家的军威;玉靶角弓珠勒马,汉家将赐霍嫖姚——写玉靶角弓珠勒马、汉家将赐霍嫖姚,写尽赐马的嫖姚。全诗以报国写边塞——那「白草连天野火烧」写尽边塞的野火,「汉家将赐霍嫖姚」写尽汉家的军威,写尽边塞的野火与汉家的军威,是理解王维边塞诗的重要篇章。 【名句点睛】 常考「居延城外猎天骄,白草连天野火烧」写边塞的野火;「玉靶角弓珠勒马,汉家将赐霍嫖姚」写汉家的军威;以及全诗以报国写边塞、以用典写军威的手法。
Background
Wang Wei (701–761), courtesy name Mo Jie, also called Mo Jie ju shi, was a Tang poet and painter of Shanzhou and onehalf of the pair 'Wang and Meng' with Meng Haoran. He was sent on a mission to the Hexi frontier in the Kaiyuan reign, and the poems of that journey — among them this one — are the earliest and best of his frontier verse. Juyan was a Tang fortress on the edge of the Gobi, facing the Tibetan and Turkic powers; the poem's scenery is drawn from the western desert at its most open and most dangerous.
此诗写边塞,以报国写边塞,是王维的名篇。王维(701—761),字摩诘,号摩诘居士,河东蒲州(今山西永济)人,唐代诗人、画家,与孟浩然并称「王孟」。此诗为王维奉使出塞途中所作,写边塞风光与汉家军威,寄寓其报国之志。开元年间,王维出使河西边塞,居延(今内蒙古额济纳旗)一带唐军与吐蕃对峙,此诗写边塞秋日狩猎之景与汉家将士之雄。此诗写居延城外猎天骄,白草连天野火烧;暮云空碛时驱马,秋日平原好射雕;护羌校尉朝乘障,破虏将军夜渡辽;玉靶角弓珠勒马,汉家将赐霍嫖姚。此诗写边景:「居延城外猎天骄,白草连天野火烧」写居延城外猎天骄、白草连天野火烧——写尽边塞的野火(居延城外猎天骄,白草连天野火烧);「暮云空碛时驱马,秋日平原好射雕」写暮云空碛时驱马、秋日平原好射雕——写尽秋日的射雕(暮云空碛时驱马,秋日平原好射雕);「护羌校尉朝乘障,破虏将军夜渡辽」写护羌校尉朝乘障、破虏将军夜渡辽——写尽汉家的军威(护羌校尉朝乘障,破虏将军夜渡辽);「玉靶角弓珠勒马,汉家将赐霍嫖姚」写玉靶角弓珠勒马、汉家将赐霍嫖姚——写尽赐马的嫖姚(玉靶角弓珠勒马,汉家将赐霍嫖姚)。全诗以报国写边塞,写尽边塞的野火与汉家的军威,是理解王维边塞诗的重要篇章。
Art
The poem is built on the contrast between boundless motion and controlled discipline. In the hunt, nothing is bounded: the grass runs to the horizon, the fire burns, the horses are driven forth. In the garrison couplet everything is precise: the Protector rides the wall 'at dawn,' the general crosses the river 'by night,' both fixed in the day. The regulated parallelism of the third and fourth couplets is exact, and the rhyme scheme (on the Xiao rhyme) is unusually sustained, which gives the verse its forward, unstoppable tempo. The wealth of detail in the last line — jade-hilted bow, pearl-adorned rein — turns an animal and an object into a sum of the whole frontier economy.
此诗的艺术特色可从四个方面解析。其一,以白描写边景。「居延城外猎天骄」以白描写边景——那「白草连天野火烧」写尽边塞的野火,以白描写尽边塞的野火。其二,以对仗写射雕。「暮云空碛时驱马」以对仗写射雕——那「秋日平原好射雕」写尽秋日的射雕,以对仗写尽秋日的射雕。其三,以用典写军威。「护羌校尉朝乘障」以用典写军威——那「破虏将军夜渡辽」写尽汉家的军威,以用典写尽汉家的军威。其四,以颂扬写报国。「汉家将赐霍嫖姚」以颂扬写报国——那「霍嫖姚」用霍去病典写报国,以颂扬写尽汉家的军威。此外,此诗前四句写边塞的野火,后四句写汉家的军威,由景及威,正是边塞诗「以威写志」的写法。四重手法,使此诗以报国写边塞,写尽边塞的野火与汉家的军威,是王维的代表作。此诗还善于以「暮云空碛时驱马」的「空碛」写空旷之沙漠——那「暮云空碛」写尽空碛的暮云,正是以空写旷,以「空碛」写尽秋日的射雕。又善以「护羌校尉朝乘障,破虏将军夜渡辽」的「朝」「夜」写昼夜之忙碌——护羌校尉朝乘障而破虏将军夜渡辽,正见昼夜备战之勤,以「朝夜」写尽汉家的军威。
Allusions
Juyan was a Tang fortress on the edge of the Gobi. 'Chieftain of Heaven' is how the Xiongnu named their ruler, and its use here keeps the enemy at the legendary level of the frontier. 'White grass' is the hard grass of the western deserts, hard enough to be bleached; 'grasfire' is the spring burning of the steppe, which both hunters and invaders use. 'Protector of the Qiang' and the title 'general who breaks the enemy' are Han military titles, and the Liao is the river of the north-east campaign against the Khitan. In the closing line Huo Qubing took the rank of the general who had driven the Xiongnu from the border, and the poet's gift of bow and horse to him praises the frontier without ever describing a battle.
此诗的用语深植于边塞与报国传统。「居延」令人想到「居延」写居延塞的意象——也令人想到「居延城外猎天骄」的意象;「天骄」令人想到「天骄」写天之骄子的意象——匈奴自称天之骄子,也令人想到「胡天八月即飞雪」(岑参)的意象;「白草」令人想到「白草」写西域白草的意象——也令人想到「北风卷地白草折」(岑参)的意象;「空碛」令人想到「空碛」写空旷沙漠的意象——也令人想到「大漠孤烟直」(王维)的意象;「护羌校尉」令人想到「护羌校尉」写汉代官名的意象——也令人想到「校尉羽书飞瀚海」(高适)的意象;「霍嫖姚」令人想到「霍嫖姚」写霍去病的意象——汉代名将,也令人想到「嫖姚校尉」的意象。全诗化用居延、天骄、白草、空碛、护羌校尉、霍嫖姚的意象典故,以报国写边塞,正是王维「浑成」而善用典、承边塞传统写报国之本领。「天骄」令人想到「天骄」写天之骄子的意象——也令人想到「骄虏」的意象;「空碛」令人想到「空碛」写空旷沙漠的意象——也令人想到「平沙无垠」的意象,以空碛写边塞。
Commentary
Long ranked among Wang Wei's best frontier poems and as a representative Tang poem of frontier martial spirit. Qing readers praised the poem's 'full and buoyant' energy. Modern readers often notice the poem's oddity: it is more interested in the apparatus of war — titles, bows, horses, gifts — than in any fighting at all, and that cool interest is its quality. Its special place in the tradition is that it honors the frontier from the outside, as an official reporting on it, rather than as a soldier living it; where Gao Shi writes of the cost, Wang Wei writes of the occasion. Compared with 'Chariot to the Frontier', which is spare and desolate, this poem is full, quick and rich.
此诗历来被推为王维边塞诗的名篇,也是唐诗写边塞军威的代表。历代论者对此诗评价极高:清人评此诗「以报国写边塞,雄浑壮阔」;近人更指出「玉靶角弓珠勒马,汉家将赐霍嫖姚」写汉家的军威,是此诗的名句。在诗歌史上,此诗的特殊价值在于:它以八句的七律写尽边塞的野火与汉家的军威——那居延城外,那猎天骄,那白草,那连天,那野火烧,那暮云,那空碛,那时驱马,那秋日,那平原,那好射雕,那护羌校尉,那朝乘障,那破虏将军,那夜渡辽,那玉靶,那角弓,那珠勒马,那汉家,那将赐,那霍嫖姚,都写尽了王维笔下的出塞作;那「汉家将赐霍嫖姚」更以颂扬写尽汉家的军威。此诗与王维《使至塞上》(「单车欲问边」)同为边塞名篇,一写「大漠孤烟直」的边塞(使至塞上),一写「居延城外猎天骄」的边塞(出塞作);又与王昌龄《出塞》「但使龙城飞将在」的边塞传统一脉相承,可见唐诗写边塞的传统。对于今日读者,此诗是理解王维边塞诗的窗口,也是唐诗写边塞军威的经典——那将赐的嫖姚,穿越千年,仍在诉说着汉家的军威。
Prosody
Line by line
玉靶角弓珠勒马,汉家将赐霍嫖姚
A bow of jade-hilt, a horse with pearl-adorned rein — the Han will give it to Huo Qubing.
玉靶角弓珠勒马,汉家将赐霍嫖姚。
Jade-buttressed horn bows, pearl-bridled horses—such the Han house will bestow on the Huo Piaoyao of the day.
此二句是全诗写军威的核心,以玉靶角弓珠勒马写珠勒马,以汉家将赐霍嫖姚写霍嫖姚,写尽汉家的军威,是千古名句。「玉靶角弓珠勒马」写玉靶角弓珠勒马——那「玉靶角弓」写玉靶角弓,「珠勒马」写珠勒马,写尽珠勒的骏马;「汉家将赐霍嫖姚」写汉家将赐霍嫖姚——那「汉家将赐」写汉家将赐,「霍嫖姚」写霍嫖姚,写尽赐马的嫖姚。这句的深意在于:它以「玉靶角弓珠勒马」的珠勒马与「汉家将赐霍嫖姚」的霍嫖姚,写尽汉家的军威——玉靶角弓珠勒马,那「玉靶角弓珠勒马」写尽珠勒的骏马——玉靶角弓,正是玉靶弓的写照,那「珠勒马」写尽汉家的军威;汉家将赐霍嫖姚,那「汉家将赐霍嫖姚」写尽赐马的嫖姚——汉家将赐霍嫖姚,正是汉家赐将的写照,那「霍嫖姚」写尽汉家的军威;那「玉靶角弓珠勒马」写尽珠勒的骏马,那「汉家将赐霍嫖姚」写尽赐马的嫖姚,一写骏马,一写赐将,写尽汉家的军威——珠勒骏马而赐予嫖姚,正是军威的写照;此二句以珠勒马、嫖姚写尽汉家的军威,也让此二句成为全诗写军威的核心与千古名句。若换作直说「镶玉靶的角弓,珠勒的骏马,汉家将赏赐给霍嫖姚那样的大将」,则失其雄浑;唯以「玉靶角弓珠勒马」写珠勒马、「汉家将赐霍嫖姚」写霍嫖姚,写尽汉家的军威,也让此二句成为全诗写军威的核心。
The closing crowns the Tang commander with the greatest Han name. Jade-buttressed horn bows and pearl-bridled horses are the equipment of a frontier hero; the Han house will bestow them, the poem says, on the Huo Piaoyao of the day—Huo Qubing, the Han general known by that title, who shattered the Xiongnu. By dressing a Tang victory in Han arms and a Han hero's name, Wang Wei praises his own commander in the loftiest currency available. The line is a triumphal image, ornamented and confident. To have said the emperor rewarded the general handsomely would be an announcement; the borrowed bows, bridles, and Huo Qubing are the panegyric.
居延城外猎天骄,白草连天野火烧
Beyond the city of Juyan, the Chieftain of Heaven hunts; white grass runs to the horizon, where the grass-fire burns.
居延城外猎天骄,白草连天野火烧。
Beyond Juyan, the Heaven's Favorite hunts; white grass stretches to the sky, and wildfires burn.
此二句是全诗写边景的核心,以居延城外猎天骄写猎天骄,以白草连天野火烧写野火烧,写尽边塞的野火,是千古名句。「居延城外猎天骄」写居延城外猎天骄——那「居延城外」写居延城外,「猎天骄」写猎天骄,写尽城外的猎骑;「白草连天野火烧」写白草连天野火烧——那「白草连天」写白草连天,「野火烧」写野火烧,写尽连天的野火。这句的深意在于:它以「居延城外猎天骄」的猎天骄与「白草连天野火烧」的野火烧,写尽边塞的野火——居延城外猎天骄,那「居延城外猎天骄」写尽城外的猎骑——居延城外,正是居延塞外的写照,那「猎天骄」写尽边塞的野火;白草连天野火烧,那「白草连天野火烧」写尽连天的野火——白草连天野火烧,正是野火连天的写照,那「野火烧」写尽边塞的野火;那「居延城外猎天骄」写尽城外的猎骑,那「白草连天野火烧」写尽连天的野火,一写猎骑,一写野火,写尽边塞的野火——城外猎骑而野火连天,正是边塞的写照;此二句以猎骑、野火写尽边塞的野火,也为下文的射雕作铺垫,也让此二句成为全诗写边景的核心与千古名句。若换作直说「居延城外游牧的部族在打猎,白草连天,野火烧起」,则失其雄浑;唯以「居延城外猎天骄」写猎天骄、「白草连天野火烧」写野火烧,写尽边塞的野火,也让此二句成为全诗写边景的核心。
The opening stages the enemy. Beyond Juyan—the distant northwest garrison—the Heaven's Favorite, the traditional Tang phrase for the nomad khagan, is out hunting. White grass stretches to the edge of the sky, and wildfires burn across it. The hunt is no sport: a nomad ruler mustering his cavalry is practicing war, and the fires burning the whole horizon are the scale of the threat. The vast dry grass and the horizon-wide fire set the empty, dangerous steppe. To have said the tribes were hunting beyond the border would be news; the white grass to the sky and the burning horizon are the menace.
Study
Word focus
Related Reading
'Chariot to the Frontier' is a single official alone with his train, and its line about a straight smoke over the desert and a round sun on the river has become the image of the frontier's desolation. This poem is the same journey seen from the other side: the envoy arriving among a host that is hunting. The first is the loneliness of the frontier, the second its machinery, and the pair explains the whole of Wang Wei's frontier writing.
王维《使至塞上》「单车欲问边,属国过居延」写边塞,是王维的名篇。此诗《出塞作》则「居延城外猎天骄」写边塞。同为王维边塞诗,一写「大漠孤烟直,长河落日圆」的边塞(使至塞上),一写「玉靶角弓珠勒马」的军威(出塞作);一写苍凉,一写雄浑。两诗对读,可见王维边塞诗的两种境界。
出塞 On the Frontier 王昌龄 · 同写出塞诗,一秦时明月一居延天骄 Both are poems on the theme of going out to the frontier, one of regret, one of vigourWang Changling's 'On the Frontier' opens with the moon of Qin and the passes of Han and asks why the soldiers of ten thousand li have never returned; its tone is regret for the cost of war. This poem opens with a hunt and ends with a gift. The one laments the frontier's debt, the one celebrates its energy. Read together, they show that the same border could be written in two entirely different voices, and indeed the two titles are the same.
王昌龄《出塞》「秦时明月汉时关,万里长征人未还」写出塞,是王昌龄的名篇。此诗《出塞作》则「居延城外猎天骄」写出塞。同为出塞诗,一写「但使龙城飞将在」的感慨(王昌龄出塞),一写「汉家将赐霍嫖姚」的军威(王维出塞作);一写王昌龄,一写王维。两诗对读,可见唐人写出塞的两种笔法。